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My Daughter Laughs in Her Sleep

Near midnight, I sit at the computer
waiting for clothes to finish drying,
skimming an article on the 10 proven ways
I might curb my depression, expecting nothing
but the normal procession of today to tomorrow:
I will fold the clothes, unplug cords,
cut the lights, lock the doors,
resisting the urge to check every closet,
to look beneath the couch, within each cabinet,
any place someone intent on harm might be hiding—
a secret bedtime routine of my childhood.

Over the dryer’s thump, heat pumping against
a 20-degree night, wind rushing the vinyl siding,
I hear my daughter react to some vision,
giggle like she does when we play,
two-year-old girl who was not long ago
resisting sleep, as I at times resist waking.

Let me believe in whatever it was she just saw,
in whatever it was that danced through her mind
and she found to be funny, whatever jest,
whatever joy, dwells in her dreams,
whatever it is I so often forget
though it abides in darkness
just the other side of the wall.

(Winner of the 2014 George Scarbrough Award in Poetry, subsequently published in Menacing Hedge)


Second Coming on South Cobb Drive


This great blue heron is in rebellion
of what I expect it should be.
It does not stand in grandeur;
rather, it hunches like a weary man,
waits in the water of a drainage ditch
filled with car parts, branches, beer cans,
beside a shack, rims and road signs
nailed to rotting boards by South Cobb Drive.
 
Soon the heron lifts like a plastic bag
caught in an updraft, ascends over my car,
over the highway, one with sky and smog
set against the slopes of Kennesaw Mountain,
a ridgeline scaling pawn shops, porn stores, fast food.
The great bird settles in a concrete streambed
that carves an apartment complex, watches the water
for movement, for life, as traffic slouches north.

(Originally published in Thrush)


The Wish to Sing with Primitive Baptists
 
Northbound on Old 41, I pass a church
I’ve passed for years—Blue Springs Primitive Baptist,
resting at the edge of highway and high school parking lot.
 
A board hangs out front, says Singing tonight.
I think how I’d like to join them, if I could, how I’d like
to take my son with me, now drifting to sleep
in his car seat behind me, how we’d both love
to sing if matters of belief were of no consequence.
 
It would come down to this, I know:
I do not believe in the resurrection of Christ,
in the sense that he just up and walked from the grave
only to ascend and wait to return for the world’s last war.
I do not believe in the flame that, some say, awaits sinners,
unbelievers, doubters and seekers, followers of other faiths.
I do not believe in sin or salvation, in the righteousness of the chosen,
the fallenness of creation, the inherent corruption of the world.  
 
I believe that God is going to sleep
in the seat behind me, and that is all.
 
They might tell me I am wrong, eventually, once they found out.
Even so, I imagine turning my car, waiting for the evening
song, for a thousand tongues to sing in communion
with this small congregation, a remnant people
in a remnant place, losing ground.

(Originally published in Town Creek Poetry, republished at The Good Men Project)


Gulf Fritillaries, Allatoona Creek


There lives the dearest freshness deep down things...
—Gerard Manley Hopkins

As we drove to this place, we noticed
more than one church sign that spoke of Satan.  
NRA decals mocked a dead young man,
beckoned us to Stand and Fight.  
A Confederate battle flag beat in wind
rushing a suburban lawn where political signs
for a man who has linked the president to Hitler
proclaimed allegiance from clipped grass.
All this and every imaginable chain
asserted their names on this corridor
now split by 41, once by exile and war.

Whether this world is charged,
whether this is its time of flaming out,
are questions we cannot afford to ask here,
walking these trails through a county park,
ducking spider webs, tangles of muscadine,
stepping over logs and mud puddles,
watching our children wade, splash,
throw rocks in Allatoona Creek
where it runs along a sewer line.

In the clay sand, coyote scat marks this place
unknowable to us, not our own or anyone’s,
draws a gathering of butterflies:

gulf fritillaries, alighting on excrement,
flaring flame wings in midmorning,
sucking the marrow of  the waste,
consuming such redemption
as I have missed.

(Originally published in Sugar Mule)





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